It started with croissants and coffee, then an Uber ride to Sintra with a driver who knows the small town, Itumbiara, where I used to live in Brazil, and a ride into the fog-dipped town of Sintra. It was drizzling when we got there and amazing to see what a difference an hour could make, as the fog lifted. Parts of the town had art spaces, deliberately, while others were a little magical all on their own.
We took a tuk tuk up to the summit to see Pena Palace and saw a lookout point where all three of Sintra’s castles are visible at once.
Lots of great, derelict buildings infuse Sintra with a spooky quality. Our guide, Rita, told us she doesn’t go up the mountain at night; Sintra has more than a few ghost stories and legends.
Taking a break at Lawrence’s Hotel. We also made sure we tried Sintra’s famed pastries, queijadas and travesseiros. Back in Lisbon, after a short train ride we had fig and prosciutto pizza before catching some local art and film.
Cats Amore. Stop Motion by Martha Colburn. At Cais de Sodre. A play on word and reference to the sexy and sordid past of the neighbourhood. A sexual confessional was set up on site. And while ‘Perils of War’ played, people had seven minutes to unburden themselves. Martha introduced some of her lighter films… Which also had trauma and dismemberment, couched in environmental commentary. ‘Fear the vampire’ and ‘my secret shame’ rounded out the program. (Experimental films by Martha Colburn at Cais de Sodre.)
Flying pigs and a world of canned fish. Art in progress at Wozen Studio Gallery.
Our second last night ended at Tosca Taverna for olives and wine.
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